Itemize Books Toward Essential Deren: Collected Writings on Film
Original Title: | Essential Deren: Collected Writings on Film |
ISBN: | 0929701658 (ISBN13: 9780929701653) |
Edition Language: | English |
Maya Deren
Paperback | Pages: 260 pages Rating: 4.44 | 96 Users | 6 Reviews
Mention About Books Essential Deren: Collected Writings on Film
Title | : | Essential Deren: Collected Writings on Film |
Author | : | Maya Deren |
Book Format | : | Paperback |
Book Edition | : | Anniversary Edition |
Pages | : | Pages: 260 pages |
Published | : | December 14th 2004 by Documentext |
Categories | : | Culture. Film. Art. Nonfiction. Writing. Essays |
Narration During Books Essential Deren: Collected Writings on Film
Until now, Maya Deren's essays on the art and craft of filmmaking have not been available in a comprehensive volume equally handy for students, film enthusiasts, and scholars. Essential Deren: Collected Writings on Film contains all of Deren's essays on her own films as well as more general essays on film theory, the relation of film to dance, various technical aspects of film production, the distinction between amateur and professional filmmaking, and the famous 1946 chapbook titled "An Anagram of Ideas on Art, Form and Film," which has been reset here for the first time. There are hard-to-find articles written for magazines and art journals, as well as lectures, Q&A sessions, program notes, and manifestoes. This book will be particularly welcomed by the large audience that saw Martina Kudlacek's documentary, "In the Mirror of Maya Deren," during its theatrical release in the U.S. and Europe in 2002. The importance of Maya Deren's films and writings is further evidenced by the American Film Institute having named its highest award for independent filmmaking the "Maya Deren."Rating About Books Essential Deren: Collected Writings on Film
Ratings: 4.44 From 96 Users | 6 ReviewsCommentary About Books Essential Deren: Collected Writings on Film
"Maya Deren (April 29, 1917, Kiev October 13, 1961, New York City), born Eleanora Derenkowsky, was an American avant-garde filmmaker and film theorist of the 1940s and 1950s. Deren was also a choreographer, dancer, poet, writer and photographer."-http://en.wikipedia.org/wiki/Maya_Deren"Last May I had an emergency operation; it was touch and go for a few hours there, and I came out of it with a rapidity that dazzled: one month from the date of that operation (I had to be slit from side to side) I was dancing! Then I actually realized that I was overwhelmed with the most wondrous gratitude for the marvelous persistence of the life force. In the transported exaltation of this moment, I wanted to run out into the streets and shout to everyone that death was not true! that theyThis book is a collection of essays Deren wrote on her approach to film. This is a great book to pick up and read from time to time. Her approach to film is so simple and straight forward, yet dilligent and serious. She works very much with an 'amateur' approach and at the same time is very much interested in technique and doing whatever it takes to get the desired outcome. Great inspiration for anyone engaging in creative activities of any kind.
no voy a decir "todo lo que hay que saber sobre cine" pero sí creo que con esto y el bresson uno ya se apaña
"Actually, a man who has a single, true self is not the very model of integrity; he is simply a one-dimensional creature, which is one-step worse than being a square. The limited specialization of being only one thing"Be yourself!" usually means "Be your same old self!"is neither honesty nor integrity; it is the refuge of those who fear that they consist only of a single surface and that the service constitutes their identity. Just as a single diamond may have various facets which we perceive in
A great collection of Maya Deren's writings. I disagree with a vast majority of her conclusions, but like any good film theory book, they're always thought-provoking and inspiring. Absolute queen.
"Last May I had an emergency operation; it was touch and go for a few hours there, and I came out of it with a rapidity that dazzled: one month from the date of that operation (I had to be slit from side to side) I was dancing! Then I actually realized that I was overwhelmed with the most wondrous gratitude for the marvelous persistence of the life force. In the transported exaltation of this moment, I wanted to run out into the streets and shout to everyone that death was not true! that they
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